Niina<p>I saw <a href="https://mastodontti.fi/tags/ProjectButterfly" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ProjectButterfly</span></a>, a multinational EU <a href="https://mastodontti.fi/tags/opera" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>opera</span></a> collaboration around environmental themes last weekend. Students in the participating countries selected the topics and composers and worked with the librettist. It will be in <a href="https://mastodontti.fi/tags/Gdansk" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Gdansk</span></a> soon, and I highly recommend seeing it, both for a great opera experience, and because experimental opera that doesn't involve regie or atonality is worth supporting.</p><p>But what made me post this is what was IMHO lacking: challenging the audience's complicity.</p>